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These are the Florence travel tips that actually changed how I experienced the city – not a checklist of what to see, but the things that shape whether your trip feels effortless or slightly off from the start.
Florence is one of those cities that looks straightforward on paper.
Itโs compact, well-connected, and its famous sights are within walking distance of each other. But it has a way of quietly punishing the assumptions people bring to it – and rewarding those who understand how it actually works.
I’ve spent a lot of time there, including multiple visits across different seasons, and a full month living in the city during a summer heatwave.
What became clear over that time is that the difference between a frustrating Florence trip and a genuinely good one usually comes down to a handful of decisions – how you time your days, what you book and when, where you focus your attention, and what you let go of.
That’s what this post is here to help with.
Key advice before you visit Florence:ย
- Book the Duomo dome climb, Uffizi, and Accademia early – these sell out. Plan your most important sightseeing for early morning, before 9am if possible.
- Don’t try to stack more than one major sight per half-day.
- Avoid the Ponte Vecchio and Duomo area at midday unless you have to be there.
- Wear comfortable shoes with proper soles – cobblestones over a full day will punish anything thin-soled.
- Have a light layer for church entries.
- And give yourself more time than you think you need – Florence is denser, busier, and more absorbing than it looks on paper.
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Florence is busier than you think – even outside peak season

One thing thatโs become much more noticeable to me over time is just how consistently busy Florence is, even outside what youโd traditionally think of as peak season.
I was there recently in late April (outside of Easter time) and again in mid-May, and it was very crowded on both occasions. Not just in flashes, either, but fairly constant – particularly around places like the Duomo, Ponte Vecchio, and Piazza della Signoria.
Those are the areas I find the most overwhelming.
The Ponte Vecchio, especially, can feel a bit chaotic. Itโs not even just the volume of people – itโs the pace. People tend to move slowly, stop suddenly, and drift without much awareness of whatโs around them. If youโre trying to move through at any kind of pace, it becomes frustrating very quickly.
The Duomo area is similar – people stopping mid-street to take photos, queues spilling out, a lot of reactive movement just to get from A to B. Piazza della Signoria gets very congested as well, particularly with tour groups converging there.
What Iโve noticed, especially watching others, is that people often make this worse for themselves without realising.
They arrive, donโt really have a sense of where else to go, and end up circling those same main areas – the Duomo, Ponte Vecchio, back again – and come away thinking that thatโs Florence.
I saw this a lot recently with fellow guests at a wedding in Tuscany who had day-tripped into Florence. They came back saying it was too crowded, they couldnโt see anything, it didnโt live up to expectations.
And to an extent, I get that – but to be blunt about it, itโs also because they never really moved beyond the busiest parts of the city.
If I were visiting Florence for the first time, I wouldnโt try to avoid these areas altogether, but I also wouldnโt spend the middle of the day moving between them unless you genuinely enjoy that kind of intensity.
What I do differently now is very simple.
I still go to those places, but Iโm much more intentional about the time of day Iโm there, and I donโt linger longer than I need to. The rest of the time, I prioritise being elsewhere – even just a few streets away, or across the river, where the experience feels completely different.
Because if you only stay in those main arteries, all youโll really see of Florence is the crowds.
Time of day matters more in Florence than you expect



Florence is one of those cities that feels completely different depending on the time of day – much more so than I expected before I started visiting regularly.
In the early morning, itโs a completely different place.
Before about 8 or 8:30, itโs mostly just people going to work, a few others out early like yourself, and the city feels calm in a way thatโs hard to find later in the day. Youโll see rowers out on the Arno under Ponte Vecchio, their oars breaking what starts off as completely still water. People cycling along the river. Locals popping into bakeries or cafรฉs for coffee.
Thereโs very little noise – you can actually hear your feet on the cobblestones.
Midday is the opposite.
Thatโs when everything is open, and everything is busy. Shops are full, queues form outside major attractions, and the streets – especially around the centre – feel intense. Youโre constantly sidestepping people, keeping an eye on your belongings, trying to move through crowds that arenโt really moving with any flow.
I find that time of day quite uncomfortable, to be honest.
Evenings are a bit of a reset. A lot of day-trippers have left, so itโs generally people who are actually staying in the city. Itโs slower, a bit quieter, and much more enjoyable for a walk – not as calm as the morning, but noticeably less intense than midday.
One thing that did surprise me, especially in summer, is that the heat doesnโt really lift in the evening the way you might expect. The buildings and cobblestones hold onto it, so even without direct sun, it can still feel very warm. The only real sense of cool comes early in the morning.
If I were planning a trip now, Iโd structure my days around that reality from the start.
Mornings are when Florence feels most like itself – calmer, more atmospheric, easier to take in. Midday is when Iโd deliberately slow things down or go inside somewhere. Evenings are for a more relaxed wander once the intensity lifts.
If I only gave one Florence tip to a first-time visitor, it would be this: claim the city in the morning, and let everyone else have it at midday.
I still remember walking up to Piazzale Michelangelo early on the morning of departure on my first ever trip to Florence – coming through the Oltrarno while it was still quiet, the soft light over the rooftops, the Duomo, Palazzo Vecchio, Santa Croce all visible without crowds.
It felt like a completely different version of the city.
Trying to see everything in Florence will make the city blur



Florence is deceptively intense.
Itโs not just that thereโs a lot to see, but itโs also how concentrated everything is, and how mentally engaging a lot of it becomes once youโre actually there.
Even on a day where things are going well, it can add up quickly.
I remember one day in particular where I started early to climb Giottoโs Bell Tower – queuing, climbing, taking everything in – then went to the Duomo Museum, which I ended up finding really interesting and spent longer in than expected. After that, I went into the cathedral itself, down into Santa Reparata, around the baptisteryโฆ and then on to the Bargello.
Individually, all of those were worthwhile. But by the end of it, I was exhausted.
Not just physically, but mentally too. Youโre taking in so much – visually, historically, culturally – and if youโre someone who actually enjoys that, youโll naturally spend longer than you think in each place.
Thatโs where the โblurโ can start to happen.
Itโs not that the experiences arenโt good – itโs that there are too many of them, too close together, without enough space in between to process them properly. Add in the walking, the heat, and the constant movement between places, and it becomes a lot very quickly.
Thatโs how you end up at the end of the day with aching feet, a thumping headache, and the vague sense that youโve seen loads without really absorbing any of it.
I think this hits people most who feel like they should see everything while theyโre there – whether thatโs out of genuine interest, or a bit of FOMO.
But in practice, itโs very hard to sustain.
What Iโd do now is plan with that in mind from the start.
Be more conservative about how much you think youโll realistically do in a day. Assume youโll spend longer in places than expected. And leave space (not just physically, but mentally) between things that are going to be more taxing.
Itโs much better to do slightly less and actually take it in, than to push through everything and come away feeling like it all blended into one.
Download the Guide
Florence for the Cultured Traveller
Cross the Arno, find the rooms most visitors walk past, and choose real Florentine craft over the market imitations โ a guide to the city beyond the obvious.
Florence punishes poor planningย


One of the quickest ways to knock the shine off a Florence trip is to assume you can just figure things out when you get there.
I learned that the hard way on my first visit.
I hadnโt realised quite how far in advance you need to book the Duomo dome climb, and I completely missed out. It wasnโt even as if I tried to book them on the day – it was a week before, I thought I was organised and then – no tickets. That was a bit of an โoh sh*tโ moment, to be honest.
In fairness, it did work out in a roundabout way because I climbed Giottoโs bell tower instead, and landed with the discovery that itโs actually the aerial viewpoint of Florence that I would recommend. You get a very similar perspective over the city, but with the added bonus of seeing the dome itself right in front of you.
Still though, that was the moment it clicked for me: you do need to plan Florence a bit more deliberately than you might think.
And itโs not just about merely booking – itโs also about how those bookings shape the rest of your day.
On paper, a timed entry sounds very neat. In reality, youโll still need to get there early, figure out where to queue, possibly go through security, and you might not get in exactly at your slot. All of that adds up.
So if I were planning again, Iโd always check availability and book the key things first – the dome climb, Accademia, Uffizi – and then build the rest of my days around those. Not the other way around.
Because the mistake people make is planning their days first, and then trying to slot tickets into that structure, and by then, the times you want either donโt exist or arenโt available.
There are also a few quieter gotchas that can catch you out.
Museums often close on Mondays. Smaller places can have odd opening hours, or close for part of the day. Iโve left things until later in a trip thinking Iโd โget to themโ, only to turn up and find them closed (Palazzo Davanzati, Iโm looking at you!).
It doesnโt feel like a big deal until itโs the one thing youโd actually really wanted to see.
So my advice would be: check opening hours properly, book your key sights early (either through official sites or reputable third-party platforms if needed), and treat those bookings as the backbone of your trip.
Monday closures and โfree first Sundaysโ




And just when you think youโve got a handle on opening hours, Florence throws in a few extra quirks.
A lot of people know about the โclosed on Mondaysโ rule. The Uffizi, Accademia, and Palazzo Pitti are all closed every Monday.
But then youโve got places like the Boboli Gardens and the Bargello that donโt follow that same pattern.
Boboli is only closed on the first and last Monday of the month, while the Bargello closes on the first, third, and fifth Mondays. So depending on the week youโre visiting, you might find one open and the other closed – which isnโt something youโd necessarily expect unless youโve checked it properly in advance.
The other thing that catches people out is the first Sunday of the month.
On paper, it sounds great – many state-run museums (including the Uffizi and Accademia) offer free entry as part of a nationwide initiative.
In reality, itโs a bit of a trade-off.
You canโt pre-book tickets, so everything runs on a first-come, first-served basis. Which means queues can get very long, very quickly, especially at the headline sights.
If you do want to take advantage of it, you need to get there early and accept that youโll likely spend more time waiting than you would on a normal day.
Otherwise, itโs often a better opportunity to visit somewhere a bit less obvious – places like the Medici Chapels or San Marco, where the crowds donโt build in quite the same way.
A flexible plan works better than a rigid Florence itinerary




If thereโs one thing Iโd really try to shift before visiting Florence, itโs the idea that you need a tightly structured, checklist-style plan.
Because in my experience, thatโs exactly what makes people enjoy it less.
A โbadโ Florence plan is one that tries to stack too many big things into the same day – especially the ones that involve queues.
Trying to do the Uffizi, the Accademia, and the Duomo climb all in one day, for example, just isnโt a good idea. Even if it looks manageable on a map, it becomes exhausting very quickly.
Itโs also the kind of plan that focuses only on those big hitters – the things youโve seen on Instagram or feel like you should do – and ignores everything else.
And Iโd honestly be a bit dismayed for you if thatโs how you approached it.
Because what tends to happen is you spend the day queueing, moving through crowds, rushing from one place to the next – and by the end of it, youโre tired, a bit jaded, and not really taking anything in properly.
You can easily leave thinking, that wasโฆ fine, and be ready to move on.
What I do now is much simpler.
I book the main anchors – the things that genuinely need booking – and I spread them out.
I wouldnโt stack multiple heavy experiences into one day if I could avoid it. One major thing, maybe two at a push, and then I leave space around that.
Instead of filling every gap, I instead plan to spend time in a neighbourhood.
Iโll wander, go into a church if it looks interesting. Sit somewhere if I feel like it, skip something if Iโm not in the moodโฆ
That shift made the biggest difference for me.
During my month-long stay in Florence, I realised that even with that amount of time, I still wasnโt going to see everything. And once that clicked, the pressure to try completely dissipated.
I still havenโt seen everything in Florence. And I still absolutely love it.
So if you take anything from this, let it be that.
Some of the best parts of Florence happen when you donโt plan them



In what seems like a complete contradiction to what Iโve said in the section above, however, some of my favourite moments in Florence have come from dropping whatever I thought I was supposed to be doing.
On my most recent trip, I remember feeling completely fed up with the crowds around the Duomo and Ponte Vecchio. I had every intention of going to a museum, but I just couldnโt face another queue or another packed interior space.
So instead, we crossed over to the Oltrarno and ended up in Piazza Santo Spirito.
Itโs not exactly an unknown place, but it felt like a different version of the city.
We sat down at one of the outdoor tables, and everything just slowed right down. There was a violinist setting up and playing, two schoolboys kicking a football against the church wall while they waited to be collected, and then two older men joined in with them. It all just unfolded in this really unforced, everyday way.
It was simple, but itโs one of the moments that has stayed with me after my trip.
Thatโs the kind of thing you donโt plan and I actually donโt think you should try to.
Thereโs a tendency to go looking for โhidden gemsโ or off-the-beaten-path spots in Florence, but I think that can miss the point slightly. The real joy is in stumbling across something that you find interesting or lovely – not because someone told you to go there.
What people often overlook is that Florence isnโt just its big sights.
Because of the wealth that existed here during the Renaissance, thereโs a huge amount of art scattered throughout the city – in smaller churches, tucked into side streets, inside buildings youโd walk past without thinking twice. You donโt have to go far to find something interesting.
The same goes for the city itself.
The Oltrarno, for example, has a higher concentration of artisan workshops – I recently wandered into a place making the most beautiful leather dog collars and leads – but thereโs also a much more modern, cosmopolitan side to Florence that people donโt always expect.
This is the home of Gucci and Ferragamo. Youโve got places like Gucci Garden, Via Tornabuoni, and a whole other layer of the city that feels much more current.
If you over-plan Florence, you miss that.
You end up moving between the same well-known places, and you donโt leave yourself any space for the city to surprise you.
So if I were planning a trip now, I wouldnโt try to schedule those โoffbeatโ discoveries.
Iโd leave time for them – properly, because the best parts of Florence, in my experience, were the ones that I didnโt go looking for, or take from a list.
Queues donโt equal quality in Florence


One of the biggest mistakes I see people make in Florence now is assuming that if thereโs a queue, it must be worth it.
In my experience, thatโs very often not the case.
Take AllโAntico Vinaio.
Iโll put my hand up -Iโve been. The first time I went (on my first visit to Florence), I queued up, got the sandwich, and I remember being impressed – but that was also my first time having a schiacciata, so I didnโt really have anything to compare it to.
Now, I see it completely differently.
Itโs just gone a bit out of control.
There are multiple locations, international branches in New York, London, even one behind the Pantheon in Rome – and on my last visit, I saw theyโd installed street-order kiosks like youโd see in McDonaldโs.
That was the moment for me where I thought, okayโฆ this is no longer what this was.
Itโs not that the food is bad, per se – itโs just that itโs turned into something else, in a โsuper-sized, bigger-is-better-โ fast food kind of way.
And more broadly, what annoys me about viral food culture in Florence is the behaviour it creates.
You see people queuing down streets, blocking walkways, waiting for something they could get elsewhere nearby without the queue – often without really understanding why theyโre there beyond having seen it online.
Thereโs no cultural or local context.
It becomes about ticking off a place rather than actually experiencing the food.
What I do now is very simple.
I donโt go to those places.
If thereโs somewhere popular Iโm curious about, Iโll go at a completely off time. And if thereโs somewhere I really want to eat – particularly for dinner – Iโll book it properly in advance.
Otherwise, I just look for alternatives because in a city like Florence, there is no shortage of good food – only a shortage of people looking beyond what theyโve already seen online.
Understanding Florentine food will shape your entire trip




One of the most useful things you can do before visiting Florence is to understand what the food actually is, and not just where to eat it.
Because Florence isnโt about one โmust-visitโ place. Itโs about understanding the different food experiences that make it up and then making space for them across your trip.
Take schiacciata, for example.
Itโs often compared to focaccia, but itโs not quite the same. Itโs thinner, crispier on the outside with that slightly salty, almost oily bite, and then soft inside – and it holds fillings incredibly well. My own favourites are local ingredients like Tuscan salami (often with fennel), pecorino, and truffle cream – they all work beautifully in it.
And schiacciata introduces something I think a lot of people get wrong when it comes to eating in Florence.
They assume they need to sit down for every meal, when in reality, some of the best lunches Iโve had there have just been grabbing a schiacciata, maybe a drink, and sitting on a step or a bench somewhere nearby. Itโs casual, but itโs very much part of how the city works.
Food-wise, itโs also worth knowing that Tuscan cuisine leans quite hearty.
Youโll see things like wild boar ragรน with pici pasta – which I love. Pici is thick, hand-rolled, slightly uneven, and just has a really satisfying bite to it.
Then thereโs bistecca alla Fiorentina.
Florence is famous for it, and itโs worth understanding how it works before you order. Itโs typically served by weight, often for two people, and wait staff are often very firm on how itโs cooked – rare to medium-rare.
You might get a bit of pushback if you ask for it well done.
But honestly, Iโd go with it as intended. And I say that as someone from Ireland, where we wouldnโt be short of sublime steak – the quality of Fiorentina beef really is excellent.
You also donโt have to commit to the full bistecca every time. Some of the slightly smaller cuts are just as good. A go-to of mine is a lesser cut served simply with pecorino and a drizzle of olive oil on top.
Another food Florence takes very seriously is gelato.
Thereโs a big difference between proper artisanal gelato and the more touristy versions. A lot of the more touristy places will have those big, brightly coloured mounds piled high in the window – and thatโs usually your cue to keep walking. Thatโs not really what proper gelato looks like.
The good places tend to be much more understated. Often, you wonโt even see the gelato at all – itโll be stored in covered metal containers, and the colours, when you do see them, are much more muted and natural.
One flavour Iโd specifically look out for is Buontalenti.
Itโs named after Bernardo Buontalenti, whoโs often credited with creating gelato for the Medici, and itโs a really good example of what proper gelato is about. Itโs simple, creamy, and not overly sweet.
And then something people donโt always expect – Florence actually has a really strong modern coffee scene as well.
Yes, you can absolutely do the traditional Italian thing – stand at the bar, have a quick espresso and move on. But thereโs also a growing third-wave scene, and itโs genuinely worth seeking out.
Places like Ditta Artigianale now have multiple locations across the city, and smaller spots like Coffee Mantra take that same idea – properly sourced, well-roasted coffee – and bring it into a much more local, everyday setting. Youโll see a mix of people in there too, not just tourists but locals popping in for their espresso and a chat.
So if I were planning a trip now, I wouldnโt build it around specific viral places.
Iโd think in terms of experiences instead.
Schiacciata on the go. A proper trattoria meal. Good Tuscan wine. Gelato done properly, and a few genuinely good coffee spots.
Florence is one of the best places to understand Tuscan wine (even without leaving the city)

Then we come to the wine – and this is something I think people massively underplay when planning a trip to Florence.
Florence is the capital of Tuscany, so even if you never set foot in the countryside, youโre still surrounded by one of the most important wine regions in Italy.
Most people will have heard of Chianti, which is the closest wine region to Florence – but thereโs so much more to it than that.
If youโre a white wine drinker, youโve got Vermentino and the wonderfully niche (but very good) Vernaccia di San Gimignano.
Then youโve got the more complex reds like Brunello di Montalcino and the lesser-known Vino Nobile di Montepulciano – and I always think the hint is in the name with that one. This is a very prestigious wine, and one that I donโt come across too often outside of Italy. Its name is a nod to the fact that it was a favoured wine amongst aristocratic classes, and even popes.
Itโs also worth not confusing it with Montepulciano dโAbruzzo, which is a completely different wine from a completely different part of Italy. Itโs one of those easy mix-ups if youโre just scanning a menu, but theyโre not related in the way people sometimes assume.
Beyond that, youโll come across plenty of Tuscan IGT wines – these are a bit more flexible and experimental, where producers step outside stricter regional rules and often blend international grape varieties.
Thatโs where areas like Bolgheri come in, producing what are often referred to as โSuper Tuscansโ. They tend to be bolder, sometimes more polished in style, and quite different to the more traditional wines youโll find elsewhere in the region.
And once you understand that all of this is coming from the region around you, it changes how you approach wine in Florence. It stops being something you just order alongside dinner, and starts to feel like part of the place itself.
If you want a really easy way to get your bearings with it all, Iโd actually recommend doing a food and wine tour early in your trip. Something like this Florence evening food and wine experience with Devour is a good example – it gives you context, introduces you to proper local spots, and helps you understand what youโre drinking rather than just picking blindly.
And if youโd prefer to go deeper and see where it all comes from, Iโve put together a guide to the best wine tours from Florence into Tuscany – including options that take care of all the logistics for you.
A little context changes Florence completely (and most people skip it)

Florence made a lot more sense to me after my first trip.
Before I went, I had that kind of high-level understanding: birthplace of the Renaissance, important city, lots of art. But it all felt quite abstract.
It was only once Iโd actually been there – and started to notice things – that it began to click.
I remember seeing the Medici symbol everywhere – the balls and shield – on buildings across Florence, and then again when I travelled out into Tuscany. Places like Arezzo, the Medici fortress thereโฆ it started to become clear just how far their influence reached.
And that was the turning point.
Because once you realise that so much of what youโre looking at – the architecture, the art, the layout of the city – ties back to a relatively small number of people and a very specific moment in time, it changes how you see everything.
It stops being โnice buildingsโ and starts feeling like a stage where something genuinely huge played out.
Thatโs what led me down the rabbit hole a bit.
I got really interested in the Medici – the politics, the scheming, the rivalries – and I actually found the easiest way into it wasnโt academic at all. It was things like historical fiction, and even Medici: Masters of Florence on Netflix.
From there, you can go deeper, fact-check things, follow the threads that interest you.
But even that initial layer of context makes a massive difference.
Because on later trips – especially when I spent a month there – I wasnโt just moving willy-nilly through the city. I understood what had happened in the places I was sitting in, walking past, having coffee in.
And that makes Florence feel completely different.
If I were to recommend one place that really brings that side of the city to life, it would be Palazzo Vecchio – particularly the secret passages tour.
Itโs one of those experiences that gives you a much clearer sense of the politics and intrigue behind everything. Youโre moving through hidden rooms, private spaces, places where decisions were made – and you start to understand the weight of it all.
So no, you donโt need to do a huge amount of research before you go.
But even a small amount – even just enough to recognise names, symbols, or stories – turns Florence from somewhere you look at into somewhere you actually understand.
A guided tour in Florence is highly worthwhile



I used to be very much of the mindset that I could figure everything out myself.
And to a certain extent, you can.
But Florence is one of those cities where thereโs so much context sitting underneath what youโre looking at that you donโt always realise what youโre missing.
The thing that changed my mind on this completely was actually a Walks of Italy tour I did years ago in the Vatican. I remember coming away from it thinking – I didnโt even realise tours could be this good.
Not just in terms of what you learn, but how much easier it makes everything.
And Florence is arguably an even better place for that.
Because once youโre there, you realise how layered it is. Youโre not just looking at buildings or paintings – youโre looking at the result of centuries of power, politics, patronage, and rivalry. You can read about that in advance, but having someone bring it to life while youโre standing in it is a completely different experience.
If I were planning a trip now, Iโd probably include one well-chosen tour early on, just to get that grounding.
Something like a Walks tour works well for that, particularly because they tend to keep groups small and often have access you wouldnโt otherwise get. Things like going into the Accademia before it opens, or getting into the Duomo outside of regular opening hours – once youโve seen the queues in person, you realise how valuable that actually is.
The same idea applies to food.
If youโre not especially into history, but you do want to understand Florence properly, a food tour is a very easy way into it. Iโve found Devourโs food tours particularly good for that – not in a โtick off a list of placesโ way, but in the sense that you come away actually understanding what youโve been eating and how it fits into the city.
And more often than not, you pick up a few places youโll want to go back to later in your trip.
The only thing Iโd say is this – Iโd always go for small group tours.
Thatโs the difference between something that feels genuinely insightful, and something that just feels like youโre being shepherded around in a crowd.
The small logistical details can quietly wear you down



Florence is compact on a map and that can be a bit misleading.
Because yes, distances are short. But in practice, they donโt always feel that way.
One thing people tend to underestimate is what itโs actually like navigating through the city with luggage.
Iโve definitely had moments dragging a suitcase through Florence where what looked like a quick walk turned into a bit of a slog – stopping, starting, lifting it over cobbles, trying not to clip someone in a crowd – and by the time you arrive, youโre far more worn out than you expected.
Itโs not that you canโt do it – I do it myself whenever I visit – but itโs worth being aware of what it actually involves.
The same applies more generally to getting around.
Florence has a fairly protracted one-way system for cars, and it can make short journeys surprisingly slow. Taxis can take far longer than expected just because they have to loop around to reach somewhere thatโs actually quite close.
Which is why, in most cases, walking is still the most straightforward option – even if it doesnโt look like it on paper.
Driving is another thing to be aware of.
If youโre combining Florence with a wider Tuscany trip, then having a car makes sense. But while youโre actually in Florence, it tends to create more friction than it solves, between ZTL restrictions, parking, and the general layout of the city.
So if I were structuring a trip, Iโd either delay picking up a car until after Florence, or return it before arriving if Florence is at the start or end of your trip.
Because otherwise, youโre adding a layer of logistics and parking worries that you just donโt really need.
That being said, none of these things are major on their own. But together – the walking, the crowds, the layout, the little bits of friction – they can quietly wear you down over the course of a few days if youโre not expecting them.
Once you are expecting them, however, theyโre much easier to work around.
What you wear in Florence matters more than you think


This is one of those things you donโt really think about properly until youโre actually there.
Iโve seen it happen so many times – especially in summer – girls queueing up outside the Duomo in thin-strapped dresses or crop tops and flowy trousers, and just thinkingโฆ uh oh. Youโre not going to get in like that.
Itโs not about dressing super conservatively or anything like that, but you do need to be aware of church dress codes. Shoulders need to be covered, and if your chest, midriff, or legs are very exposed, thereโs a chance youโll be turned away.
So wear what you want – just have something with you. I always make sure I have a light layer now, like a linen shirt, pashmina or something easy to throw on or tie around my bag. Itโs one of those small things that just saves you hassle.
Outside of that, Florence is actually a place where I find I do tend to make a bit more of an effort with what I pack.
Itโs a very popular city break destination – especially for Europeans – and people are generally quite well dressed. Not in an overly formal way, but youโll notice that people change for dinner, or just look a bit more put together than your typical โtourist comfyโ vibe.
And then the Florentines themselves – theyโre very stylish, but not in an overtly flashy way. Itโs more about quality. Good leather shoes, well-cut clothes, that slightly understated, almost old-school elegance.
You feel it walking places like Via Tornabuoni, with all the designer stores like Gucci and Ferragamo, but also in the smaller artisan shops heaving with leather belts, bags, and more. Thereโs a real appreciation for craftsmanship.
That doesnโt mean you need to overhaul your wardrobe, but I do think if you lean into it slightly, youโll enjoy it more.
Where it really matters though is your shoes.
Florence is cobbled, uneven, and youโll be on your feet a lot. On my first trip, I wore thin-soled pumps during the day and they just didnโt cut it at all – my feet were absolutely aching.
Now I always bring a solid pair of walking shoes, a second pair to rotate, and something lighter for the evening.
Even if your shoes are comfortable, your feet will still feel it after a full day. Changing them – even just to shift the pressure points – makes a big difference.
And heelsโฆ I mean, I just wouldnโt bother with anything too high. If you want to dress up a bit, keep it to a kitten heel or a block heel. Cobblestones and stilettos are not a good combination!
Itโs not the most glamorous tip, but itโs one of those things that could genuinely affect how much you (and your feet) enjoy your time there!
The mindset shift that changes everything in Florence

The biggest shift for me with Florence wasnโt about planning better or fitting more in.
It was realising that itโs not just somewhere you go to look at things.
Because on a first visit especially, itโs very easy to experience Florence almost like a backdrop. You move between the Duomo, the Ponte Vecchio, a museum or two, and it can all feel quite surface-level, even though what youโre looking at is objectively incredible.
What changed that for me was spending longer there and starting to notice everything happening around those big sights.
Not just the buildings themselves, but the fact that people are living their everyday lives in and around them.
Youโll see it in small ways – people opening up their shops in the morning, closing shutters in the evening, heading to work, stopping for coffee, completely unfazed by the fact that theyโre walking past places that everyone else has come to see.
Even things like the rowers out on the Arno in the morning, or just sitting somewhere and watching how a piazza actually fills and empties over the course of a couple of hours.
That was the point where it really clicked for me.
Florence isnโt frozen in the Renaissance, even though it can feel like that at first. Itโs a functioning city layered on top of all of that history.
And once you see it like that, you start to value slightly different things.
You notice the smaller details more. Youโre less focused on what you havenโt seen yet, and more aware of whatโs actually in front of you.
It also makes you approach the whole trip a bit differently.
You naturally slow down a bit. Youโre less inclined to rush from one place to the next. You start paying attention to things you might otherwise have walked straight past.
And I think thatโs where Florence becomes much more interesting.
Download the Guide
Florence for the Cultured Traveller
Cross the Arno, find the rooms most visitors walk past, and choose real Florentine craft over the market imitations โ a guide to the city beyond the obvious.
Florence tips: FAQs
Is Florence worth visiting for the first time?
Yes – but itโs a city where how you approach it makes a big difference. If you only stick to the main sights at peak times, it can feel crowded and a bit overwhelming. If you structure your days well and move beyond the busiest areas, it becomes a much more enjoyable experience.
What should I know before visiting Florence?
The main thing is that Florence is more intense than it looks on paper. Itโs compact, but very dense – visually, culturally, and logistically. Booking key sights in advance, planning your days around timing, and leaving space between major activities will make a noticeable difference.
How many days do you need in Florence?
For most people, 3โ4 days is a good balance. That gives you time to see the main sights without rushing, while also leaving space to enjoy the city more slowly. Anything less can feel quite packed; anything more allows for a deeper, more relaxed experience.
Do you need to book attractions in Florence in advance?
For major sights like the Duomo dome climb, the Accademia, and the Uffizi – yes, ideally. Tickets can sell out days in advance, and even with timed entry, youโll still need to factor in queues and arrival time.
What is the best time of day to explore Florence?
Early morning is by far the best time. The city is noticeably quieter, cooler, and easier to move around. Midday is the busiest and most intense, while evenings are a good time for a more relaxed wander once day-trippers have left.
Continue Planning Your Florence Trip

The tips here are most useful alongside two other decisions that shape how a Florence trip actually feels – where you’re based and where you eat.
For choosing the right neighbourhood, which affects everything from how crowded your mornings feel to how easy it is to find a decent coffee:
โ Where to stay in Florence: best areas for first-timers and beyond
For where to eat well – from the trattorias I returned to most often to the wine bars and gelaterias that became part of my daily routine:
โ Best restaurants in Florence: personal picks from months of eating there
And if you’re thinking about Tuscany beyond the city during your stay:
โ Best day trips from Florence
For a more complete overview, head to my Florence travel guide, or explore the full Florence hub to plan each part of your trip in more detail.
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